Lydia Kavina is currently one of the
leading performing musicians on the theremin. Born in Moscow
Lydia
began studying the theremin at the age of 9 under the direction
of Léon Theremin, who was cousin of her grandfather.
Five years
later she was ready to give her first theremin concert, which
marked the beginning of her musical career that has so far led to more
than a thousand concerts and theatre, radio and television performances
throughout the world.
Lydia’s current project is the theremin solo in ''The
Little Mermaid'', a ballet by Lera Auerbach, choreographed by John
Neumeier, in Copenhagen’s New Opera House(2005) and in the Hamburger
Staatsoper (2007-2009).
As a solo performer Ms. Kavina appeared at such prestigious venues as
the Grand Hall of the Moscow Conservatory, London Barbican,
Chatelet Theatre in Paris and Amsterdam Concertgebouw (with the
Netherlands
Radio Orchestra under Reinbert de Lewes). She collaborated with
the National Philharmonic Orchestra of Russia under V. Spivakov
and with
London Philharmonic Orchestra.
Lydia has been invited by leading music festivals, including New York's
Lincoln Center Festival, the Holland Music Festival, the Martinu
Festival in Prague, the Electronic Music Festival in Burge, and Moscow
“Avantgarde”.
Mrs. Kavina recorded 3 solo CDs with original music for theremin
and played for a number of film soundtracks including “Ed Wood” and
“eXistetnZ” with music by Howard Shore and ''The Machinist'' by
Roque Banos.
She has also featured in stage productions, such as ''Alice'' and ''The
Black Rider'' (both conceived and directed by Robert Wilson, with music
by Tom Waits) in the Hamburg Thalia Theater and Halle Kalk in Cologne
and
played theremin line for Russian Bolshoi.
Lydia performs most of the classical theremin repertoire, including
popular orchestra works for the theremin by B. Martinu, J. Schillinger
and “Spellbound” by M. Rosza.
As a theremin enthusiast Lydia constantly seeks to expand the
theremin repertoire, frequently performing lesser known music of the
20th century such as “Equatorial” by E. Varese, Obouchov's
“Testament” and the graphical scores of Percy Grainger.
Lydia has written a number of her own compositions, including a
Concerto for
theremin and symphony orchestra, first performed by the Boston Modern
Orchestra, under Gil Rose.
Ms. Kavinais an active promoter of
new
experimental
music for the theremin. In collaboration with Barbara Buchholz and
Kamerensemble Neue Musik Berlin she established the “Touch!
Don't Touch!” project and commissioned 20 modern composers in writing
contemporary pieces for the theremin. This music was performed in
Germany throughout 2005-2008 and published on a CD.
Lydia is strongly committed to educational activities,
encouraging student musicians and beginners to learn the instrument
and take the instrument seriously. She constantly integrates
master classes, workshops and lectures in her concert schedule.
Her video tutorial “Mastering the Theremin” recorded with Moog
Music, is widely used among beginners.
Ms. Kavina holds a degree in composition from the Moscow Conservatory,
where she also accomplished a postgraduate assistantship program
and conducted a class of classical theremin at the studio of
electronic music for a number of years.
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"I was 9 years old and he was
over 80 years
of age. Theremin arrived at our home every Friday evening. When I
opened the door for him, he alsways made me a gift of some cake or
sweets before we began our lessons. His teaching was not strict or
formal; I was allowed to play whatever I wanted to play while he sat in
an old armchair and listened."L.K.
Visit nd listen to
Lydia
on
MySpace
Article in AbendBlatt Hamburg
28.05.2009
(in German)
Download
PDF
On Air
 BBC Russia: 30
June 2008
(in Russian)
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